Early & Silent Film

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Silent Film Festival in Scotland

Posted by keith1942 on March 5, 2015

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It is good to see that this Festival, now in its fifth year, is still running. Its main venue, The Hippodrome, celebrated a centenary in 2012: one of the oldest film venues still in use. Over the five days there are a variety of early films being screened, a number of them offering rare opportunities to see early classics.

Hippodrome Festival of Silent Cinema 2015

Wednesday 18th March until Sunday 22nd March

It seems that most of the films will be screened from digital formats, but I am advised by the organisers that these will be projected at the correct frame rates. It is good to see this facility developed by FIAF actually appearing in the UK. . Moreover there is also live music for the screenings. And there are two events screening from 35mm prints:

Event:

During WW1 the British government made over 1,000 films to record fighting, train troops and for propaganda. After 1918 the authorities had the foresight to deposit these films at the Imperial War Museum (IWM), leaving us with a remarkably powerful record of the life of the nation during one of the most traumatic and influential periods in modern history. This programme of highlights from the IWM’s collection, specially curated for HippFest by Senior Curator Dr Toby Haggith, presents rarely screened clips ranging from recruitment and the role of women to coverage of campaign fighting including the Air War and the Western Front, as well as moving scenes of post-War memorials.

1h 45m incl. Q&A

With: Dr Toby Haggith

Performing live: Mike Nolan

Event:

We close the Festival in fine style with the world premiere of a newly commissioned score by award-winning Scottish fiddle player Shona Mooney (2006 BBC Radio Scotland Young Traditional Musician of the Year) for this stirring epic starring Lillian Gish as the plucky Annie Laurie for whom forbidden romance fuels the flames of hatred between the warring Macdonald and Campbell clans. Critics of the day praised the film’s “substantial” plot, “colourful action, settings and costumes” and the “rugged scenes suggesting all the bluntness of Scotch character” and audiences today will no doubt be equally charmed by the timeless performance of one of silent cinema’s most enduring icons. ‘Annie Laurie’ and Shona Mooney’s new score will be performed at The Barbican Centre, London in spring 2015. Come dressed with a dash of tartan to finish the Festival in style!

 

Performing Live: Shona Mooney, Alasdair Paul, Amy Thatcher

Dir. John S. Robertson | US | 1927 | 1h 53m + SSA short

M-G-M, story and scenario Josephine Lovett, nine reels.

With: Lillian Gish, Norman Kerry, Creighton Hale, Joseph Striker

 

 

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